Hylla
Titel och upphov After the end of art : contemporary art and the pale of history
Förlag etc. Princeton, New Jersey : Princeton University Press, [2014]
Ämnesord
Medverkande
ISBN
*00003249cam a22005177i 4500
*00120696
*00520160726134805.0
*008140417t20141997njua b 000 0 eng c
*010 $a 2014943658
*015 $aGBB496820$2bnb
*0167 $a016862924$2Uk
*020 $a0691163898
*020 $a9780691163895
*035 $a(OCoLC)ocn877364695
*035 $a(SE-LIBR)17562718
*040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dUKMGB$dCIA$dOCLCO$dKSU$dCHVBK$dDLC$dOCLCF$dD$dN
*050 4$aN7480$b.D33 2014
*08204$a707.22$223
*0830 $a701.18
*1001 $aDanto, Arthur C.,$d1924-2013,$eauthor.
*24510$aAfter the end of art :$bcontemporary art and the pale of history /$cArthur C. Danto ; with a new foreword by Lydia Goehr.
*250 $aFirst Princeton classics edition.
*260 $aPrinceton, New Jersey :$bPrinceton University Press,$c[2014]
*264 1$aPrinceton, New Jersey :$bPrinceton University Press,$c[2014]
*300 $axxvi, 239 pages :$billustrations ;$c22 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references and index.
*5050 $aForeword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy.
*520 $a"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.
*599 $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*650 0$aArt$xHistoriography .
*650 0$aPostmodernism
*650 0$aArt criticism$xPhilosophy.
*650 7$aArt criticism$xPhilosophy.$2fast
*650 7$aArt$xHistoriography .$2fast
*650 7$aPostmodernism.$2fast
*650 7$aKonstteori$2sao
*650 7$aPostmodernism (konst)$2sao
*7001 $aGoehr, Lydia,$ewriter of supplementary textual content.$4oth
*830 0$aA.W. Mellon lectures in the fine arts ;$v1995.
*830 0$aBollingen series ;$v35:44.
*830 0$aPrinceton classics.
*841 $5Kkh$ax a$b1609064u 8 1001uu 0901128$e4
*852 $5Kkh$bKkh$hKonstteori
*85642$3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-d.html
*85641$3Table of contents only$uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-t.html
*85642$3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-b.html
*950 $aAppropriering (konst)$wh$uPostmodernism (konst)
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