Huvudbibliotek

*00001711cam a22002417  4500
*00130341
*00520150814092924.0
*008110907s2011    gw o    |     000 0 mul c
*020  $a9781934105573
*020  $a1934105570
*035  $a(OCoLC)751045102
*035  $a(SE-LIBR)12336695
*050 4$aN6490
*08204$a700.411.2
*084  $aIbz Eriksson, Andreas$2kssb/8
*24500$aAndreas Eriksson :$bNordic Pavilion 54th Venice Biennale, 2011. /$cedited by Magnus af Petersens
*260  $aBerlin :$bSternberg Press,$c2011.
*300  $a176 p. :$bill.
*5208 $aAndreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film. He works conceptually, but with a finely-tuned visual sensibility. In recent years, his work has been intimately linked to the place where it is created, the rural terrain outside his studio in Västmanland. In the late 1990s, Andreas Eriksson was living and working in Berlin, caught up in an intense phase of his burgeoning international career, with numerous major exhibitions, when he began to suffer from electromagnetic hypersensitivity. He was forced to move far away from the city, from densely populated areas, and the electromagnetic fields of urban life. Andreas Eriksson's art has always been strongly associated with the context in which it is produced, his life and surroundings. In consequence, these radical changes in his existence are also reflected in his work. 0Exhibition: 54th Venice Biennale (2011).
*60017$aEriksson, Andreas$d1975-
*7001 $aPetersens, Magnus af$4edt
*852  $5Kkh$bKkh$hKonstnärer / Eriksson
*950  $aUtställningar$wg$uKonstutställningar
^